Today I’m feeling completely awful, because I’ve got yet another cold. Probably an airport souvenir. But there we go. I got my September issue of Vogue yesterday, so at least there’s some consolation. I’ve decided that instead of actually moving this morning, I can carry on writing. My head doesn’t hurt as long as I keep looking forwards, and not to the side. I was enjoying reading the catwalk show stuff, and reading about upcoming winter trends. Winter gives everybody an excuse to buy leather boots. I went through a two-year phase of wearing heeled boots every single day, with jeans. As a result, I have calves of steel, and six pairs of boots. Some people (especially my dad), would six is too many. However, you can never have too many pairs of shoes.
Clothes are people’s way of hiding things that they don’t like, and creating personas of their choosing. Wearing a sharp suit makes somebody more confident. A track suit is comfortable, but jeans can be as sloppy or as sensible as one would like. It’s all up to you, like wearing a shield. Even cashmere is like a protective layer, and it stops people seeing the soft and squishy bits.
Anyway, back to the task in hand. My novel. It’s going fairly well. I have ten chapters. I even have a rough idea of what might happen next. Not many people can say that. I wish I had somebody whom I could rely on for critical reading and suggestions, but allowing my friends to read it seems somehow like walking down the street naked. Letting people read your work is like letting them see you naked. That’s why I don’t very often publish poetry online, and it is why I tend to be less open about my novel to the people who actually know me. Do you beautiful writers understand what I mean?
There is something distinctly intimate about literature, and about writing as a whole. Literature can be a window into somebody’s innermost thoughts, but it can also be deceptively shallow. The depth of meaning can only be known to the author, and the meaning of a text is not something that he will ever have to reveal to an audience. Postmodernism toys with the idea of depth and surfaces, and becomes very much like cubism, or impressionism. What is there, and what is there not? There is no way of telling. You could get into a huge debate about the author function, and whether a novel exists because of it’s author or vice-versa. But in this [articular arena, where almost all of us are aspiring to be writers, screen writers, poets, everything, it seems unfair. Saying an author only exists as a story seems to almost void our own ideas of ourselves.
But there we have it. I am enjoying my own metaphorical nakedness. I might even consider letting other people see it, one day.