On the Action Novel

Now, Robert Ludlum is one of my favourite authors. He is not highbrow, or snooty, but he is wonderfully engaging, creates a watertight story line  and writes about it in an addictive manner. I love the way he communicates, and I like the pacing of his novel. Pacing in an action novel is very, very important; otherwise the ‘action’ is lost, and there is a stilted novel, without much progression, which quickly becomes a boring novel; you know, the kind that you use to prop open doors, hold your laptop up when the fan breaks, etc.

And no author wants to write that book. Not a book that exists purely to support other objects.

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Action novels are not just Mr Ludlum’s domain, however. Frederick Forsyth, John Grisham, and more recently Lee Child, have all broken into the action novel genre. Mr Child has done especially well for himself, and from his amazon.co.uk pages, seems to be churning out novels at an alarming rate of one every forty-two seconds. Now, I’m not convinced that a novel, or that number of novels, can be written well and so quickly, but then again the man might just be a superhuman writer. Since I haven’t experienced a novel of his yet (although my Dad has, and he seems to be devouring them), I am in no position to judge.

I like these novels because they are designed to be easy, and uncomplicated, at least not in the intellectual sense. They contain interesting plots, many of which I think are echoed throughout international history, and there are many ideas that come from real life events; things that really happened. I think because our access to MI6 records, and FBI records, etc, is so limited, we never really know what happened, and the novels open up a kind of phantom door, to a world that the common person isn’t allowed to inhabit.

When I was younger, I really wanted to be a spy. Like James Bond. But female, and I’d do it in some crazy ball gowns, and slinky slit-up-the-side dresses. I’d also be wearing red stilettos, and be really slinky. I know now that this is kind of a long dream away, but the principle is there. Action novels give you ideas, and they make you feel like anybody could defuse a bomb, or that anyone could be a part of an underground resistance movement, or go undercover in a dictatorship.

It’s all about escaping somewhere that isn’t your everyday, boring world; it’s not about shopping in supermarkets, and arguing with a boyfriend. It’s about fighting for things, and pretending that you are something incredible, life-changing, unstoppable. That’s why on the beach, holding a Martini, you feel like you can do anything. You see, it’s a heady concoction, alcohol and action novels.

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